Powell Solid Flute Headjoint - 1927 Cut

Our Description

Headjoint Cuts

• Lumina: Supple yet responsive, it moves quickly throughout the range with little effort. This headjoint’s clean and energetic sound is the perfect complement to the more classic styles.
• Philharmonic: A more traditional cut, capable of broad dynamic ranges, and creating a deep rich tone with extraordinary carrying power and focus.
• Soloist: Open and free in the top octave, rich and deep in the middle and bottom octaves, with great projection and flexibility.
• Venti: Very colourful and rich headjoint designed in conjunction with Paul Edmund Davies. It is open, has a large dynamic range, and possesses an especially free high register.
• 1927: Harking back to Verne Q Powell's original design, the 1927 is heavily influenced by Louis Lot flutes, adapted by Verne Powell for the power needed in American orchestras. A full harmonic spectrum.

About Powell

In 1916, Verne Powell joined the Wm. S. Haynes Company to make wooden flutes and piccolos. By 1926, he was the shop foreman and was running much of the business at Haynes; later that year, he left Haynes to make his own flutes and Verne Q. Powell Flutes, Inc. was incorporated.

The instruments were immediately recognized as the very best a flutist could play and endorsements flowed in from flutists around the globe. In 1928, he completed his first all 14K Gold flute; soon piccolos and alto flutes were added. By 1930 the brand had representation in the Boston, Detroit, Philadelphia, Cleveland, Baltimore, and New York Orchestras. There were flutes which had a life of their own; #365 the “World’s Fair” Platinum flute of William Kincaid, #900 the only flute ever made entirely of 14K White Gold, #1142 the “Signature” Flute.

In 2016 Verne Q. Powell Flutes, Inc. was purchased by Buffet Crampon, joining nine other brands of wind instruments to complete the largest group of wind instrument manufacturers in the world.

Specifications

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