Pavane for Flute, Viola and Guitar, Op. 50

These four well-known pieces, published separately, appear in arrangements for flute, viola and guitar by Fabio Rizza. The arrangements are largely successful, keeping the character of the original works and transeribing them effectively for this mixed trio combination.

In the Dvorák, the flute part can also be played on violin, and as such it sits quite low in the range for most of the piece. As one might expect, the flute takes the main melodic material, with plenty of opportunity to shape the line. The viola part moves between accompaniment and countermelody and provides an interesting variety of colour next to the flute. The parts are often in parallel thirds, which creates an enjoyable partnership. The guitar part is relatively simple and provides a rhythmic framework for the melodic voices.

The other pieces follow a similar pattern of voicings, with the flute taking the melody throughout and the guitar providing an accompanying role. In the Bizet, the viola fleshes out the harmony at the opening through long sustained notes, before taking over the main melody while the flute explores the counter-melody, very much like the relationship between flute and strings in the original orchestral version.

All four arrangements are enjoyable, with a good level of clarity in the ensemble sound created through the spacings of the parts. The works are all relatively simple but effective, and suitable for intermediate players. The scores and parts are well presented and each of the four pieces would fit well into a recital programme or be ideal for weddings or other events. It's nice to see the repertoire for this ensemble expanded in this way; hopefully an increased standard repertoire will also encourage contemporary composers to write for this combination.