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Kuroda-bushi for Alto Flute

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  • Uses extended techniques
Pan - Journal of the British Flute Society

Pan - Journal of the British Flute Society

This review first appeared in Pan, the journal of the British Flute Society and is reproduced with permission. Join the BFS: membership starts from £25 a year.

Those who are familiar with Hosokawa's flute output may be expecting Kuroda-bushi (literally, "Song of Kuroda") to require diligent learning of a complex web of extended techniques. However, this charming transcription of a well-known Japanese folk song whose melody originates from Gagaku, the imperial court music, is a simple but effective addition to the solo alto flute repertoire.

In this concise 21 bars, Hosokawa dutifully presents the melody of this song whilst drawing references to the Japanese shakuhachi using air, glissando, emphasised vibrato, and quick ornamentation. The choice of transcribing this pieces for the alto flute is a smart one as it sits comfortably in the first register which benefits from the rich harmonics in the sound. THis allows the player to really explore the timbres they create as they weave through airy attacks, expressive dynamic, and glissandi. Before playing this piece, I would recommend listening to it being played on a shakuhachi, so the desired sounds and timbres are in the ear; it is quite a world away from a "conventional" flute sound!

Kuroda-bushi would make a great addition to almost any programme as a short palette cleanser, or perhaps even before another of Hosokawa's flute works so the audience hears the initial influence before it is viewed through a more contemporary lens.

Gavin Stewart

From the Publisher

For some time now I've been working on traditional Japanese folk songs, arranging them for various voices and musical instruments. To learn more about the Japanese folk song, which forms the starting point for my 'vocal compositions', the alto flute is very helpful. Its sound comes very close to the human voice. Karoda-bushi is originally a folk song from Fukuoka Prefecture on the southern Japanese island of Kyushu. It is said that the original melody has its origin in an imayo chant of gagaku, the ceremonial music of the imperial court.

Performance duration (approx): 3'00

Difficulty guide: 9
Difficulty level, roughly compared to ABRSM exam grades. 0 is total beginner, 9 is advanced (beyond grade 8).

Item Details

Instrumentation

  • Part 1: Alto Flute
Category: Unaccompanied Alto Flute Music
Publisher: Schott
Publisher's reference: SJ 1225
Our Stock Code: 1652437
Media Type: Paperback (1 pages [score])

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